Search

Woman fined after paid car park gets set up around her parked vehicle

Josephine Williams had been leaving her car in a gravel clearing at Westgate in Auckland, alongside other commuters to catch the bus into the city for months. The New Zealand woman was left with a "nasty surprise" when she returned from work on Monday to find a NZ $85 ($77) fine sitting on her windshield. "To my unfortunate surprise - and many others - I was greeted by an $85 parking ticket for a breach and a flyer from Wilson Parking saying paid parking had started that day," Williams told Stuff. "But what breach exactly was made? How was I supposed to know paid parking started that day when there was nothing at all displayed anywhere in the car park?" Williams claimed that the Wilson Parking car park had been set up around her already parked car, even providing dash cam footage that showed her pulling into the gravel clearing at 7.45am, with no paid parking signs or Wilson branding in sight. By 6pm, a large red and white Wilson sign had been put up at the entrance, with "12 hours for $4" written on it. "Wilson deliberately put their sign up sometime after 9am and then took it upon themselves to fine every single car that was already parked there from the morning," Williams said. "$85 is a lot of money - it would have been two weeks' worth of grocery shopping for me," she added. "I'm lucky that I know the law and my rights, but some other people might not. What about students or the elderly or people who don't know English well?" She estimated that there was usually around 50 and 100 cars in the gravel clearing. Wilson argued that the carpark was always there and they had just added more signage, but have since waived Williams' fine after she lodged a request to have it reviewed by Parking Enforcement Services. Wilson Parking also said that they had started to set up the car park and installed a "clear signage" on April 22. "It was not set up around parked cars on 29 April as suggested," a Wilson spokesperson said. "Several payments were made by customers via the Parkmate app from 22 April proving that signage on the site was clear and effective," they said. They added that on April 29 more signs were added to all entry points of the car park. "In acknowledgment of the increased signage added on the 29th at the entry we've made the decision to refund all payments made until 30 April and waive any breach notices issued up to this date." They also denied issuing any breach notices before the signs were put up. "Payment options were available and signed from 22 April - but no infringement notices were issued prior to the 29th." Images: Stuff

Legal

King Charles returns to public duties for the first time since diagnosis

King Charles has made his first official public appearance since being diagnosed with cancer in February. In a symbolic appearance on Tuesday morning, the royal visited the Macmillan Cancer Centre at the University College Hospital donning a navy pinstripe suit with a light blue shirt and a pink dinosaur tie. The monarch was joined by his wife, Queen Camilla, with the couple sporting huge smiles as they waved to the crowd outside of the London hospital. The royal couple met with clinicians, patients and families of patients during the visit, and when asked by one patient how his treatment was going, Charles replied: "I'm alright, thank you". In one photo Charles can be seen tenderly placing his hand on the arms of a patient as he spoke with them. One patient discussed her chemotherapy with Charles, who who told her: “I’ve got to have my treatment this afternoon as well,” according to the Mirror. He also shared his reaction to finding out about his diagnosis for the first time, telling one patient: “It’s always a bit of a shock, isn’t it, when they tell you?” The King's hospital visit comes just days after the Palace released a statement confirming that he was showing progress with his treatment and would be resuming official duties. “His Majesty The King will shortly return to public-facing duties after a period of treatment and recuperation following his recent cancer diagnosis,” it read, before announcing the visit to the cancer centre. “This visit will be the first in a number of external engagements His Majesty will undertake in the weeks ahead.” Despite this, his upcoming summer schedule would not be a full one, with events like the King's Birthday parade, known as Trooping the Colour, and the Royal Ascot, being undertaken on a case-by-case basis. He also plans to host the Emperor and Empress of Japan in late June. “As the first anniversary of the Coronation approaches, Their Majesties remain deeply grateful for the many kindnesses and good wishes they have received from around the world throughout the joys and challenges of the past year,” the statement concluded. Image: Getty

Caring

Celine Dion's first public appearance in years since cruel diagnosis

Celine Dion, the iconic Canadian singer, has recently made a triumphant return to the public eye after a few years of battling a rare neurological disorder called Stiff Person Syndrome. This inspiring comeback took place as she attended a hockey game in Las Vegas, watching the match between the Vegas Golden Knights and the Montreal Canadiens alongside her sons, René-Charles, and twins, Eddy and Nelson. After the thrilling game, Dion made her way to the locker room, and her visit was captured in images and a reel shared by the Montreal Canadiens, the team she came to support. In the clip, the embattled singer appeared to be in high spirits as she interacted with players and coaches, expressing her delight at meeting them all. The Montreal Canadiens shared their excitement on social media in what was a heartwarming moment for both Dion and her fans – especially getting to witness her enthusiasm and resilience. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/CzFTVOwLPUP/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/CzFTVOwLPUP/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Canadiens de Montréal (@canadiensmtl)</a> </div> </blockquote> Stiff Person Syndrome is an extremely rare neurological disorder that primarily affects the nervous system, specifically the brain and spinal cord. According to the National Institute of Neurological Disorders and Stroke, this condition manifests in symptoms such as extreme muscle stiffness, rigidity, and painful spasms in the trunk and limbs, significantly impeding mobility. Dion's battle with Stiff Person Syndrome forced her to postpone some tour dates, as the disorder was affecting her ability to sing the way she was accustomed to. In a video clip shared on social media, she addressed her fans and revealed her determination to overcome the challenges posed by this condition. "I'm working hard with my sports medicine therapist every day to build back my strength and my ability to perform again," she shared. "But I have to admit it's been a struggle." Dion's candour about her struggles and her unwavering commitment to her recovery have earned her even more admiration from her fans. Celine Dion's journey with Stiff Person Syndrome has been a testament to her strength and resilience. She has shown that even in the face of a rare and debilitating condition, she refuses to be defeated. Her determination to regain her ability to perform is a source of inspiration to all who face adversity in their lives. It's worth noting that Celine Dion has faced significant personal challenges in the past, most notably the loss of her husband, René Angélil, in 2016 to throat cancer. Despite these difficulties, she has continued to be a shining star in the world of music. Her return to the public eye, following her battle with Stiff Person Syndrome, is a testament to her enduring spirit and the deep connection she has with her fans. As Celine Dion makes her way back into the spotlight, her fans around the world eagerly await her return to the stage, where her powerful voice and indomitable spirit will undoubtedly continue to inspire and uplift us all. Her story serves as a reminder that with determination and a strong support system, even the most formidable challenges can be overcome. Images: Instagram

Caring

Body language expert analyses Hugh Jackman's last public outings with his wife

A body language expert has analysed the last public outings of Hugh Jackman and Deborra-Lee Furness before they <a href="https://www.oversixty.com.au/lifestyle/relationships/hugh-jackman-devastated-after-marriage-split" target="_blank" rel="noopener">announced their split</a> after 27 years of marriage. The couple were spotted at both the Met Gala in New York and Wimbledon in the UK earlier this year, seemingly looking like a perfect loved-up couple. However, Aussie body language expert Louise Mahler said there could be more than meets the eye at their public outings. “These are two people so well rehearsed at being with each other. They lean in together, they move in unison,” Mahler told <a href="https://7news.com.au/entertainment" target="_blank" rel="noopener" data-link-type="article-inline">7Life.</a> Assessing footage from their joint appearance at the Met Gala in May 2023, Mahler noticed that “at one point in the video Hugh goes to walk away and she briefly pulls him back and he stops with no hesitation”. “There is no giveaway whatsoever... and remember, they are both actors." “They are working as a team and showing total harmony.” However, Mahler went on to assess a specific moment from the Met Gala where the couple were gazing at one another head-on. “I’m going to speculate that he has left her because he’s looking at her quickly,” she said. “He still loves her but he’s moving on." “And what I see from her is, ‘I get that you’re moving on, you b******, but I will allow this’,” Mahler speculated about Furness’ body language. Two months after their Met Gala appearance, the couple attended Wimbledon to sit side by side and watch the game. Mahler acknowledged that they looked “a little cranky” but said that they were concentrated on the game and likely had cameras on them “for a long time”. “I don’t see that they’re pulling away from each other in any way,” she said. “In fact, their arms are touching the full length. This is a couple who have been together for 30 years, they know each other. I would say they still love each other, but they’re deciding to go their separate ways.” The Hollywood couple shocked the world on Saturday when they released a statement confirming their separation after being married for 27 years. “We have been blessed to share almost three decades together as husband and wife in a wonderful, loving marriage,” Jackman and Furness told <a href="https://people.com/hugh-jackman-and-deborra-lee-jackman-separate-exclusive-7970286" target="_blank" rel="noopener" data-link-type="article-inline">People</a>. “Our journey now is shifting and we have decided to separate to pursue our individual growth." Image credits: Getty Images

Relationships

"Colossal prick" slammed over outrageous Bunnings parking

A motorist in Perth has been slammed for their "extra selfish" parking act in the carpark of a Bunning's Warehouse. A frustrated fellow shopper captured the parking faux pas and posted the image of the car to Reddit, which shows a ute with an attached trailer parking over four spaces, including one reserved for people with disabilities. "There was no disabled badge and of course there is plenty of trailer parking available at Bunnings," the user wrote, adding that there were suitable bays available closer to the store's entrance. Fellow motorists and shoppers were shocked and appalled by the selfish act, with one Reddit user urging the author of the post to send the photo to both Bunnings and the local council, citing a $500 fine as a deterrent for the future. "Blocking the disabled bay gets extra selfish points," a user commented, while someone else vented, "Not content with being a colossal prick and taking up four spots, decides to go world-class and make one of those spots a disabled parking bay. Some f**king people." The post was flooded by outrage at the audacious parking, with users overwhelmingly agreeing that parking in spaces designated for disabled drivers is inexcusable. After being alerted to the post, Bunnings Regional Operations Manager Hayley Coulson expressed disappointment on behalf of the retailer. "We were disappointed to learn a customer recently used a disability parking bay for their trailer outside our Innaloo store, which our team was unaware of at the time." "These parking bays are incredibly important for the community and we remind our customers that they're only reserved for people with a disability or mobility restrictions." She added, "We're really focused on ensuring disability parking bays are always available for their intended use, and we do our best to communicate regularly with our stores to remind them that these bays are not to be compromised for any reason, at any time." Image credits: Reddit

Legal

Disney star dies at just 29

South Korean actress Park Soo Ryun, who starred in the K-drama Disney+ series Snowdrop has passed away aged 29. According to the Mirror, Ryun fell down a flight of stairs on June 11, at a property on Jeju Island, South Korea’s largest island, where she was scheduled to perform. The actress was reportedly taken to hospital for emergency treatment but was sadly pronounced dead by medics after she couldn't be revived. Ryun’s family have decided to donate her organs, according to K-pop website Soompi. The star’s mother told South Korean media, “Only her brain is unconscious, and her heart is still beating. There must be someone who desperately needs [organs]. “As her mother and father, we will be able to live comforted [by the thought that her heart] has gone to someone and is beating.” A fan account for the Snowdrop series posted a tribute for the late star, “A painful day. Heard [sic] to breathe,” “The most beautiful light, the most beautiful flower. Rest in peace.” Fans flocked to the comments to show their support. “Rest in peace, you will be in our hearts forever." one said. “Rest in peace.” another wrote. Ryun got her big break in 2018 when she appeared in the musical Il Tenore. She made her TV acting debut in 2021 with Snowdrop alongside Blackpink singer Jisoo. Another Snowdrop actress also passed away unexpectedly at age 29 in 2022. Image credit: Instagram

Caring

How Jurassic Park changed film-making and our view of dinosaurs

<a href="https://theconversation.com/profiles/travis-holland-299087">Travis Holland</a>, <a href="https://theconversation.com/institutions/charles-sturt-university-849">Charles Sturt University</a> In June 1993, director Steven Spielberg released a film that unleashed a wave of technological change in film-making and simultaneously helped to revive popular interest in dinosaurs. Jurassic Park, based on Michael Crichton’s novel, spawned five blockbuster sequels as well as a multitude of spin-off games, toys, novels, and multiple animated television shows. It features a theme park housing de-extincted dinosaurs that break out of their confines and cause havoc. Underpinning the plot is clever genetic engineering that has allowed the Park’s scientists to assume they could control all aspects of the dinosaurs’ development, including their sex, much to their later horror when it becomes apparent such control was never possible. The film franchise has taken an average of over $1 billion dollars at the box office, <a href="https://variety.com/2022/film/box-office/jurassic-world-dominion-box-office-billion-1235380452/">according to Variety</a>. <figure><iframe src="https://www.youtube.com/embed/QWBKEmWWL38?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <h2>From puppets to CGI</h2> According to industry legend and <a href="https://www.imdb.com/title/tt20102096/?ref_=ttep_ep6">multiple documentaries</a>, Spielberg had planned to use only practical effects, including stop-motion Velociraptors and an animatronic Tyrannosaurus Rex. However, well into the filming schedule, he was convinced to also include wholly digital dinosaurs after viewing test footage produced by staff at special effects house Industrial Light & Magic. In <a href="https://utpress.utexas.edu/9781477325308/">a critical history</a> of Industrial Light & Magic, Julie Turnock observes that the film “relied on a canny mix of large-scale mechanical effects cut together with a few digitally generated shots”. After its success, ILM embraced digital composition technology more fully and integrated it into many later films. As it stands, Jurassic Park features about 50 shots of digital-only prehistoric creatures, including the first full-body scene of a dinosaur – the sauropod Brachiosaurus - flocking Gallimumus, and the T. rex chasing a Jeep. Industrial Light & Magic <a href="https://www.ilm.com/vfx/jurassic-park/">now claims on their website</a> that “Suddenly, directors could imagine making films in which realistic animals, fantasy creatures, even digital people could perform without restraint.” Nowadays, films and television productions are replete with photoreal computer-generated animals and people and the next revolution in screen production has them projected live behind actors on a series of large screens known as “<a href="https://theasc.com/articles/the-mandalorian">the volume</a>”. <figure><iframe src="https://www.youtube.com/embed/BPUEqvfQuHY?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <h2>Palaeontologists aren’t extinct</h2> Shortly after seeing their first dinosaur, on-screen palaeontologist Alan Grant (Sam Neill) suggests to his palaeobotanist partner Ellie Sattler (Laura Dern) that the de-extinction success of Jurassic Park might make their profession redundant. Their colleague Ian Malcolm (Jeff Goldblum) responds, “Don’t you mean extinct?” But far from extinction, palaeontology and associated sciences have seen an extensive rebound in public interest in the thirty years since Jurassic Park was released. In 1975, palaeontologist Robert Bakker <a href="https://www.jstor.org/stable/pdf/24949774.pdf?casa_token=s5us3t_9TrQAAAAA:hxfVrmS11FACTHHYosZSqQMLDJRWJZTE3a4ggr7kIFauNoIvT8WjUJaZ5hxrKkFNqMcn3-68yiuLlH1tWU7k4o--xCDBpQwYPv4tXjF8KTIU8kpHo0vS">popularised the term “dinosaur renaissance”</a> to describe a spate of developing research findings which argued the creatures were endothermic (warm-blooded), active, and related to the birds rather than cold-blooded, slow and wholly extinct as had been the public perception for much of the previous century. This renaissance lasted from about the 1960s into the 1980s and Jurassic Park reflected many of these new orthodoxies. Bakker himself consulted for the film and was referenced by the character Tim Murphy. A Bakker lookalike also appeared in the sequel The Lost World, further reinforcing its role in reflecting these new perspectives. But the film also arrived at the dawn of yet another new age of dinosaur discoveries which Steve Brusatte, in his 2018 book <a href="https://www.panmacmillan.com.au/9781760780524/">The Rise and Fall of the Dinosaurs</a>, described as “the golden age of discovery”. Brusatte referred to the cohort of scientists making these newer discoveries as “men and women from many backgrounds who came of age in the era of Jurassic Park.” Among their findings are new understandings that many dinosaurs were feathered like their modern avian cousins. Elizabeth Jones recently chronicled the history of the field of “<a href="https://yalebooks.yale.edu/book/9780300240122/ancient-dna/">ancient DNA</a>” science, noting the “Jurassic Park effect” playing out on this fascinating area of research: <blockquote> Even as scientists rejected the conclusions or the implications of the Jurassic Park narrative, they drew on the popularity of the book and movie to emphasise the importance of the technical enterprise in which they were engaged. </blockquote> And <a href="https://cdnsciencepub.com/doi/pdf/10.1139/cjes-2022-0131">a recent review</a> of the last 60 years of dinosaur research by celebrated palaeontologist Philip J. Currie suggested “public interest continues to be stimulated by a multibillion-dollar movie, media, and toy industry founded on our interest in dinosaurs.” <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=338&fit=crop&dpr=1 600w, https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=338&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=338&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=424&fit=crop&dpr=1 754w, https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=424&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/530243/original/file-20230606-27-8gx3lo.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=424&fit=crop&dpr=3 2262w" alt="" /></a><figcaption>A scene from Jurassic Park (1993) IMDB</figcaption></figure> <h2>The Jurassic Park legacy</h2> Dinosaurs have long featured in popular media such as films and television. The first animated dinosaur, Gertie, debuted as <a href="https://palaeomedia.blogs.bristol.ac.uk/2019/07/24/meet-gertie-the-dinosaurus/">part of a vaudeville performance in 1914</a>. Dinosaurs, including a fearsome Tyrannosaurus featured in Disney’s groundbreaking and famed 1940 film Fantasia. But it was Jurassic Park which truly presented them as believable living creatures for the first time. Though the science of the film has <a href="https://www.theguardian.com/science/2009/feb/08/jurassic-park-dinosaur-inaccuracies">been widely criticised</a> since its release, Jurassic Park succeeded in revolutionising film-making and reigniting a public fascination with dinosaurs even as palaeontology itself underwent a boom in new research efforts. In <a href="https://www.penguin.co.uk/books/457392/did-i-ever-tell-you-this-by-neill-sam/9780241648988">his recent memoir</a>, actor Sam Neill described the film’s visuals as “a perfect collision of coming-of-age computer generated imagery… with state of the art puppetry”. <figure><iframe src="https://www.youtube.com/embed/fb5ELWi-ekk?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> The sequels sequels and spin-offs have continued to adapt to changing social expectations, featuring <a href="https://theconversation.com/toss-aside-those-high-heels-how-jurassic-worlds-claire-dearing-lights-a-path-for-women-in-action-films-182334">strong female</a> and <a href="https://www.pride.com/geek/2022/7/21/jurassic-world-camp-cretaceous-goes-out-queer-roar">queer characters</a>, and even <a href="https://www.wired.co.uk/article/jurassic-world-dominion-dinosaur-feathers">feathered dinosaurs</a> in response to changing scientific understandings. Perhaps the next Jurassic film will feature a full-lipped <a href="https://www-science-org.ezproxy.csu.edu.au/content/article/t-rex-lips-new-study-suggests">Tyrannosaurus</a>?<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/203147/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/travis-holland-299087">Travis Holland</a>, Senior Lecturer in Communication, <a href="https://theconversation.com/institutions/charles-sturt-university-849">Charles Sturt University</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/how-jurassic-park-changed-film-making-and-our-view-of-dinosaurs-203147">original article</a>. Images: Universal Pictures

Movies

“It’s the court of public opinion”: Sarah Ferguson condemns Phillip Schofield backlash

Sarah Ferguson has spoken out against the wave of judgement directed at former This Morning presenter Phillip Schofield and the relationship scandal that swept the world. The 63-year-old Duchess of York was chatting to businesswoman Sarah Jane Thomson on her podcast, Tea Talks, when conversation turned to Schofield, and his controversial affair with a man - and co-worker - 30 years younger than him. When news of the affair broke, Schofield stepped down from his 20 year position as the face of This Morning. He later confessed to the Daily Mail that he had lied about the relationship, and <a href="https://www.oversixty.com.au/news/news/i-will-die-sorry-phillip-schofield-breaks-his-silence-on-his-career-ending-affair">informed The Sun that he was “not a groomer”</a>, despite public opinion. Criticism for the disgraced host flooded social media in the wake of the whole ordeal, with the story and its related rumours splashed across publications worldwide, and it was the backlash that Ferguson wanted to address, namely the idea of ‘cancel culture’ at the centre of it all. Thomson prompted the discussion by comparing social media’s take to a “huge game of Chinese whispers”, to which Ferguson responded that “it’s like the court of public opinion.” “And then [that can lead to] massive bullying to the point of extermination of a soul,” she added. “I don’t believe that anybody has that right to judge and exterminate a person’s own beliefs.” From there, Ferguson encouraged listeners not to leap to assumptions, as “we all have failings”. She asked that everyone instead take a moment “or make a cup of tea before you judge another human being without knowing all the facts”. “We don’t know the facts,” she pointed out. “We certainly don’t know what people get up to.” Thomson had her own thoughts to share on the matter, noting that “the problem is, when you’re in the public eye, any failing you make is there to be talked about, and the rest of us don’t have that. “We don't have that deep examining of where we've gone wrong, and then it's reflected over and over and over.” And while the two had made their point, Ferguson took a moment to discuss a - in her opinion “spot on” - article by Jeremy Clarkson for the Sunday Times, in which he wrote about the public’s race to condemn Schofield. “I’ve never seen a witch-hunt like it,” he said, “and what baffles me most of all is that, as things stand, no crime has been committed. I don’t know him at all well and have no skin in the game, but it seems to me he is only guilty of being what he said he was: gay.” In the article, Clarkson went on to note that the age gap between Schofield and his partner in the affair was receiving a different degree of attention to heterosexual stars in similar relationship situations - from the likes of Leonardo DiCaprio, who frequently dates women significantly younger than himself, and Al Pacino’s 54-year age gap with his pregnant partner. “Phil is no longer the genial host of some morning-time televisual cappuccino froth,” Clarkson surmised. “According to the people's court of social media, he's like his brother, a nonce.” Images: Getty

Relationships

“I like looking in the mirror”: Justine Bateman on ageing in the public eye

Justine Bateman has gotten candid while discussing the reality of ageing in the public eye, and her experience with negative opinion on her surgery-free complexion. The actress turned director - and sister of actor Jason Bateman - was chatting to 60 Minutes when she confessed she didn’t know anyone was that interested in her looks until she happened to be googling herself for her book and encountered a popular autofill suggestion. “I needed to google something, and I googled my name Justine Bateman, and an autocomplete came up which said ‘looks old’,” she explained, before adding that it’d taken her aback. After browsing the pictures that the search provided - those Justine believed the internet considered “evidence” - she couldn’t see what it was that they were talking about. Her face was a natural face, not an ‘old’ one. And Justine had one very clear message for anyone who had any different to say - to her, or to anyone else embracing the ageing process - when she said, “I just don’t give a sh*t. I think I look rad, I think my face represents who I am, and I like it.” That isn’t to say Justine has never considered what cosmetic intervention may do for her, with the 57-year-old admitting that she has wondered how she might look - though she’s never followed up on it, too happy with how she’s evolving to risk losing any part of herself. “You can certainly look in the mirror and you can go ‘oh, well, if I just had like a lower face lift, I would get rid of this skin that catches the light, and then I could have that operation where you go in to the eyelid - or you know - take some of the skin out, and this that’s hanging over now over the eyelid, you can get that removed’. Sure, you can do all of that,” she explained. “But even then I would just be like ‘okay, so now I look like this’, and then I would erase … I feel like I would erase not only all my authority that I have now, but also I like feeling that I’m a different person now, than I was when I was 20. “I like looking in the mirror and seeing that evidence.” Many took the opportunity to thank Justine for her words, and her stance during the interview, with some even opening up about their own experiences while commenting on her social media. “It was a powerful share. Ageing in a culture of anti-aging isn’t particularly easy, but it’s heartening to hear from other women who recognise that our worth is not determined by our appearance,” said one. “We’re objectified in our teens and twenties, only to be discarded by society by the time we reach our forties for the ‘crime’ of ageing. Aka staying alive. It’s patriarchal BS and we deserve better. Thank you for your voice.” “Thank you Justine. I just wish your interview segments were longer,” wrote another. “I appreciate you so much for speaking out about this issue and know you will be helping so many women navigate all of the distractions. So much oppressive ageism [is] wrapped up in teaching women to hate and fix their ageing bodies.” “Those lines, wrinkles and grey hairs are details to a rich and storied existence,” someone else declared, “wear them like badges of honour.” And as Justine herself put it, “forget about your face! That is what I’m saying. Get rid of the fear that your face being wrinkled is going to ruin a bunch of opportunities for you.” Images: Instagram, Getty, Vimeo, 60 Minutes

Beauty & Style

Hilarious footage emerges of Sam Neill's James Bond screen test

Jurassic Park star Sam Neill appeared on the Today show to discuss his career and new memoir 'Did I Ever Tell You This?' but the hosts had other plans. Karl Stefanovic, Sarah Abo and Brooke Boney managed to dig up an old screen test that left the 75-year-old red-faced. "Oh, my God, no - That is so cruel to play that, so cruel," a flustered Neil said, as footage from his James Bond audition started rolling. In the video, a young Neill armed with a gun and donning an unbuttoned shirt bursts into a bedroom-to the surprise of a naked woman- and says the famous line "My friends called me Bond, James Bond". Neill said he was thankful that he didn’t get the part and that someone else was chosen to do the role. "I felt so awkward all day that we made that thing and it just went on and on and on," he said. "I am so relieved they offered it to someone else, they are welcome to it - you don't want to be the Bond that no-one likes, you know - that is a fate worse than death." Although he didn’t get the role of agent 007, the actor has starred in three of the Jurassic Park films, Event Horizon, The Dish and Peter Rabbit. He also told the Today show hosts that he never intended on becoming a professional actor and his success was completely unexpected. "I never really imagined I would have a career in film, let alone a career as an actor," he said. "At the rather advanced age of 30 I suddenly realised I could make a living at what I loved best and I never looked back until I wrote (the memoir) and it has been good to look back - it has been really good for me." Image: Today Show, Channel 9

Movies

How on-demand buses can transform travel and daily life for people with disabilities

People with disabilities arguably stand to gain the most from good public transport, but are continually excluded by transport systems that still aren’t adapted to their needs as the law requires. <a href="https://www.aihw.gov.au/getmedia/ee5ee3c2-152d-4b5f-9901-71d483b47f03/aihw-dis-72.pdf.aspx?inline=true">One in six people</a> aged 15 and over with disability have difficulty using some or all forms of public transport. One in seven are not able to use public transport at all. Under the <a href="https://www.legislation.gov.au/Details/C2018C00125">Disability Discrimination Act 1992</a>, Australia’s public transport systems were expected to be fully compliant with the 2002 <a href="https://www.infrastructure.gov.au/infrastructure-transport-vehicles/transport-accessibility">Transport Standards</a> by December 31 2022. Not only have many of our bus, train and tram systems <a href="https://www.disabilitysupportguide.com.au/talking-disability/public-transport-remains-inaccessible-as-20-year-targets-are-not-met">failed to meet these targets</a>, but the standards themselves are outdated. The standards are <a href="https://www.infrastructure.gov.au/infrastructure-transport-vehicles/transport-accessibility/2022-review-transport-standards">under review</a> and public consultation has begun. For buses, the standards <a href="https://www.mcw.com.au/why-public-transport-operators-must-review-their-vehicles-in-2022/">largely focus on the vehicles themselves</a>: low-floor buses, wheelchair ramps, priority seating, handrails and enough room to manoeuvre. But just because a vehicle is accessible doesn’t necessarily mean a bus journey is accessible. There are difficulties getting to and from the bus, limited frequency of accessible services, <a href="https://www.tandfonline.com/doi/full/10.1080/17450101.2022.2126794">poor driver training, passenger conflict</a>, <a href="https://www.forbes.com/sites/gusalexiou/2021/02/17/for-disabled-people-inclusive-transportation-is-about-much-more-than-lifts-and-ramps/?sh=322fc9c62b08">travel anxiety</a> and a lack of <a href="https://www.inclusivecitymaker.com/transport-accessibility-intellectual-disability/">planning for diversity</a>. In all these ways, bus travel excludes people with disabilities. <div data-id="17"> </div> Infrastructure alone cannot overcomes these issues. <a href="https://translink.com.au/travel-with-us/on-demand">On-demand transport</a>, which enables users to travel between any two points within a service zone whenever they want, offers potential solutions to some of these issues. It’s already <a href="https://sifted.eu/articles/viavan-on-demand-transport/">operating</a> in <a href="https://ringandride.org/">cities</a><a href="https://www.bcgomi.com/">overseas</a> and is being <a href="https://theconversation.com/1-million-rides-and-counting-on-demand-services-bring-public-transport-to-the-suburbs-132355">trialled in Australia</a>. <h2>Accessible vehicles are just the start</h2> Making vehicles accessible is really only the tip of the iceberg. Focusing only on infrastructure misses two key points: <ol> <li> our public transport journeys begin before we board the service and continue after we’ve left it </li> <li> accessibility means providing people with quality transport experiences, not just access to resources. </li> </ol> Let’s imagine a typical suburban bus journey. It is industry accepted that passengers are <a href="https://australasiantransportresearchforum.org.au/wp-content/uploads/2022/03/2013_rose_mulley_tsai_hensher.pdf">generally willing to walk about 400 metres</a> to a bus stop. That is based, of course, on the assumption that passengers are able-bodied. Long distances, steep hills, neglected pathways, few kerb cuts and poorly designed bus shelters all hinder individuals with disabilities from getting to the bus in the first place. This issue resurfaced in the 2020 report <a href="https://www.aihw.gov.au/getmedia/ee5ee3c2-152d-4b5f-9901-71d483b47f03/aihw-dis-72.pdf.aspx?inline=true">People with Disability in Australia</a>, by the Australian Institute of Health and Welfare. More than one in four respondents with disabilities said getting “to and from stops” was a major obstacle to using public transport. But other barriers to making services inclusive are even more difficult to see. People with disabilities are forced to plan extensively when to travel, how to travel, who to travel with and what resources they need to complete the journey. Even the best-laid plans involve <a href="https://www.forbes.com/sites/gusalexiou/2021/02/17/for-disabled-people-inclusive-transportation-is-about-much-more-than-lifts-and-ramps/?sh=322fc9c62b08">added emotional energy or “travel anxiety”</a>. <h2>What solutions are there?</h2> <a href="https://theconversation.com/1-million-rides-and-counting-on-demand-services-bring-public-transport-to-the-suburbs-132355">On-demand transport</a> offers potential solutions to some of these issues. Its key feature is flexibility: users can travel between any two points within a service zone, whenever they want. This flexibility can be harnessed to design more inclusive bus services. Without a fixed route or timetable, on-demand services can pick up passengers at their home and drop them directly at their destination. This door-to-door service eliminates the stressful journey to and from a bus stop and their destinations. And with services available on demand, users can plan their travel to complement their daily activities instead of the availability of transport dictating their daily activities. The technology behind on-demand transport also helps reduce the need for customers to consistently restate their mobility needs. Once a customer creates a profile, extra boarding and alighting time is automatically applied to all future bookings. This eliminates the exhaustive process of added planning, and enables drivers to deliver a better experience for all of their passengers. <h2>Examples of on-demand services</h2> Cities around the globe are already using on-demand services to overcome transport disadvantage for people with disabilities. BCGo is one such service in Calhoun County, Michigan. A recent yet-to-be-published survey of BCGo users shows 51% of respondents face mobility challenges that affect their ability to travel. Some 30% have “conditions which make it difficult to walk more than 200 feet” (61m). That means the industry’s assumed walkable distance (400m) is 6.5 times the distance that’s realistically possible for many users of the service. Ring & Ride West Midlands is the UK’s largest on-demand project. It operates across seven zones with over 80 vehicles. The service, recently digitised using <a href="https://www.liftango.com/">Liftango</a>’s technology, is designed to provide low-cost, accessible transport. It can be used for commuting, visiting friends, shopping and leisure activities. Ring & Ride serves as an example of how on-demand service can provide sustainable and equitable transport at scale. It’s completing over 12,000 trips per month. <h2>A call to action for Australian governments</h2> Government policy needs to address not only inadequate bus infrastructure, but those invisible barriers that continue to exclude many people from bus travel. We need a cognitive shift to recognise accessibility is about creating quality experiences from door to destination for everyone. This needs to be paired with a willingness to explore solutions like on-demand transport. Transport authorities worldwide are already embracing these solutions. We cannot continue to rely on the community transport sector to absorb the responsibility of providing transport for people with disabilities, particularly as <a href="https://theconversation.com/eight-simple-changes-to-our-neighbourhoods-can-help-us-age-well-83962">our populations age</a>. Now is the time to have your say. The Transport Standards are <a href="https://www.infrastructure.gov.au/infrastructure-transport-vehicles/transport-accessibility/2022-review-transport-standards">open for public consultation</a> until June 2023. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/how-on-demand-buses-can-transform-travel-and-daily-life-for-people-with-disabilities-199988" target="_blank" rel="noopener">The Conversation</a>.

Travel Tips

Ticked off trekker exposes family’s selfish act

Australian bushwalkers are bristling at one family’s claim over an entire viewing platform in Victoria. A picture, shared to Reddit, shows a family - of at least four - taking over at Wilsons Promontory National Park with their set up. Camp chairs, bags, and meal trays can be seen around them, blocking access to the viewing point for anyone else who might like to enjoy what the park has to offer. The area - well known for its stunning vistas and bountiful wildlife - is a popular weekend retreat for tourists and locals alike, and Parks Victoria have revealed that it gets “extremely busy over summer”. “This family [is] taking up an entire sightseeing platform so nobody else can take photos,” the poster stated. “It’s a long weekend,” he continued below, “so Wilsons Promontory was very busy. A lot of people missed out on great photos and views because these people wanted it for themselves.” One had a simple, if not entirely beneficial solution, declaring that “confrontation is not always wrong.” “As I walked past, a guy said ‘that's just f***ing rude’,” the individual behind the post responded. “Especially in the case of entitled twats, I feel sorry for the kids though, they have parents who convince them shit like this is ok,” agreed another. “This park have rangers?” enquired one. “I'd be getting them to get those a***oles outta there.” “Despite being 2hrs from civilisation, it was packed because it's a long weekend here,” the original poster responded. “There's a huge campground nearby that was completely full. “But I didn't see any rangers all day, just a bus driver shuttling people up a mountain because the car park at the top would have been overflowing if everyone drove up.” Another shared their past experience with the spot, noting that they’d seen the same thing happen before, and that they’d just gone over and taken pictures anyway. “They then realised they were in the way,” they said of their encounter, “apologised, moved a little, and we had a chat about the weather. People do dumb s*** all the time without taking into consideration other people.” “I’m wondering this too if maybe they didn’t connect that it was a specific overlook platform at the time of the pic,” mused one responder. Meanwhile, another only had “never assume malice when stupidity will suffice” to say. Some, however, had a little more compassion for the family in the picture, writing that there were a lot of people “describing how they'd solve this problem. How about ‘excuse me, can I take some photos here?’ like a normal person?” “Exactly. I cringed. Like what if they just thought they stumbled upon the spot and were like ‘let’s picnic real quick’ and didn’t know people were going out of their way to find that spot or just that it’s a viewpoint spot,” another offered in agreement. “I have to sympathise, we’re all humans and hopefully it was not malicious. Just parents trying to have fun with their children?” “Duuuude, seriously,” one more wrote. “The ‘perpetrators’ might not even know [that] what they’re doing isn’t cool. It looks like they hiked out there and saw a decent spot to chill.” Images: Reddit

Travel Trouble

Harry and Meghan break their silence on "boring and baseless" South Park episode

Prince Harry and Meghan Markle have broken their silence after being portrayed in an episode of South Park, in which they were ruthlessly mocked and ridiculed. The animated TV show released their newest episode, titled The Worldwide Privacy Tour, which depicted the royal couple embarking on a promotional tour for the Prince's new book titled "Waaaah". After the episode aired, reports emerged that Meghan Markle was left "upset and overwhelmed" by their merciless slating on the show, while a royal commentator speculated that the couple's lawyers were "casting an eye" over the cartoon series. Despite these claims, a spokesperson for Prince Harry and Meghan Markle has debunked rumours that they would be suing South Park over the episode, blasting the claims as "boring and baseless" in a statement given to <a href="https://www.newsweek.com/why-prince-harry-meghan-markle-will-not-sue-south-park-lawsuit-1782414" target="_blank" rel="nofollow noreferrer noopener">Newsweek</a>. The statement did not mention Harry and Meghan's personal feelings towards the episode, nor did it address claims that the couple's lawyers will be monitoring the show in order to see whether South Park's creators launch any fresh attacks on the pair in the future. U.S. royal commentator Kristen Meinzer also told Newsweek that is was easy to see why the couple were not taking legal action. She said, "I highly doubt Meghan and Harry are suing a satirical cartoon that famously ridicules everyone." "If anything, they'll know they're in good company with other decent people who've been raked over the coals by the show." "For example, South Park has repeatedly ridiculed Al Gore and his efforts to combat climate change. They made fun of Steve Irwin for being killed by a stingray just a few weeks after his death." "They turned Rob Reiner into a punchline because of his weight. They've never been a bastion of good taste, and they've absolutely been offensive, but again, they're also a cartoon, not a news outlet—and Harry and Meghan are unlikely to take a cartoon to court." Image credits: Getty Images

"I'm lovin' it": McDonald's face public outcry over unfortunately placed ad

McDonald's has faced the wrath of angry locals in Cornwall, UK, after a poorly placed advertisement was called out for being "tasteless". The advertisement in question was for the fast food franchise's new McCrispy burger, which was placed in a prime position on the side of a bus stop. However, what the company didn't realise was that the sign right next to it pointed to Penmount Crematorium across the road, in an unfortunate yet humorous coincidence. Local media outlet <a href="https://www.cornwalllive.com/news/cornwall-news/mcdonalds-remove-tasteless-sign-opposite-8133444" target="_blank" rel="noopener">CornwallLive</a> was the first to report on the poorly placed ad, and asked local residents if they thought the sign should stay or go. "Fell off the chair laughing," one commenter who saw the picture online said. "I'm lovin' it," wrote another, in reference to the popular McDonald's slogan. "I only recently lost 2 loved ones & to be honest if I'd seen that sign near the crematorium I would have smiled. I don't find it offensive at all," said another. "My parents are in this crematorium. My old man had a brilliant sense of humour, so I'm sure he would have chuckled at this!" another added. One concerned local said, "I think how funny it is will probably depend on how long ago you followed the crematorium sign wearing a black tie." One woman, who's mother-in-law was cremated at the crematorium, said, "Although I can see the funny side, it is tasteless and I'm sure some grieving family members won't like to see it when visiting Penmount for the funeral and cremation of a loved one." Cornwall Council, who are in charge of both the crematorium and the bus shelter, have yet to comment on the matter, while McDonald's are taking the concerns about the ad seriously. A spokesperson told CornwallLive, "We were unaware of the road sign in the vicinity of this bus stop. However, in light of the concerns raised by CornwallLive, we have asked for our advertisement to be removed." Image credits: Twitter

Caring

"You can’t park there, bro”: Perth valet smashes TWO lambos in costly mistake

A valet driver at the Crown Hotel in Perth has found himself in hot water after smashing two Lamborghinis while trying to park one. The luxury vehicles belonged to billionaire Laurence Escalante and both were damaged after they collided in the hotel driveway, a spokesperson for Crown Perth said. Footage captured and shared by Jiu-Jitsu athlete Craig Jones shows the valet driver behind the wheel of a blue Lamborghini Aventador Ultimae, a car valued upward of $940,000, smashing into the rear of a purple Lamborghini. “Help! I’ve really f***ed it up.” The driver said in the footage before running out to assess the damage. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/Coa-BoPDhZS/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/Coa-BoPDhZS/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Craig Jones (@craigjonesbjj)</a> </div> </blockquote> In response to the crash, the driver claimed he was “trying to park it just like everybody else,” adding that the pedals were “too close together.” He then claimed he thought he was pressing the brake but instead hit the accelerator, causing him to crash into the rear of the purple Lamborghini. The owner of the luxury vehicles appeared to have witnessed the collision and could be heard questioning the driver. “What are you doing?” Jones said. "He moved it right in his rear ... you can’t park there, bro," he added. A spokesperson for Crown Resorts confirmed the accident is still under investigation, also informing the media there were “no injuries sustained.” "The safety of Crown’s team members and guests remains our priority," they said in a statement to News.com.au. "We are conducting a full assessment of the incident together with those involved.” The Crown is "working positively with us to fix the cars and put this behind us all,” a spokesperson for Mr Escalante told The West Australian. "We appreciate accidents happen and most importantly no one was injured," they said. A similar incident occurred in Sydney in 2018 when a valet driver parked a Porsche Carrera underneath another vehicle. As the driver attempted to park the Porsche, the car reportedly accelerated and ended up under a Sports utility vehicle (SUV). Police were notified and had to cut the driver, who was left unharmed, out of the vehicle. Images: Instagram / @craigjonesbjj

Travel Trouble

Banksy: who should foot the bill to protect his work in public spaces?

When a mural by artist Banksy <a href="https://www.bbc.co.uk/news/uk-wales-46617742">appeared on a garage wall</a> in Port Talbot, the building’s owner, Ian Lewis, had no idea just <a href="https://www.bbc.co.uk/news/uk-wales-46771722">how many people</a> would want to get a good look at it. The mural has attracted <a href="https://www.bbc.co.uk/news/uk-wales-46759349">thousands of visitors</a> and Lewis has been keen to <a href="https://www.bbc.co.uk/news/uk-wales-46617742">protect it</a>, by employing guards, and building a see-through covering over the work. But should there even be security on a piece of graffiti? After all, <a href="https://hyperallergic.com/38778/occupying-the-walls-graffiti-as-political-protest/">the essence of graffiti</a> is that it is temporary and subject to the possibility of being covered over with the next slogan or image. It has long been one of the means by which people can <a href="https://www.theguardian.com/cities/gallery/2017/may/17/writing-wall-political-graffiti-banksy-brexit-trump-in-pictures">make their views known</a> in a very public way without official sanction. It is a form of protest that visually takes up public space and asks for no endorsement and often no individual credit. The list of graffiti artists who have gained recognition in the contemporary art world is not a long one. Shepherd Fairey, who <a href="https://www.artic.edu/artworks/229396/barack-obama-hope-poster">designed the Obama “Hope” poster</a>, and <a href="https://www.theartstory.org/artist-basquiat-jean-michel.htm">Jean Michel Basquiat</a> are two of the most well known. Banksy himself has been quoted as saying that he never craved commercial success and that it’s actually <a href="https://www.villagevoice.com/2013/10/09/village-voice-exclusive-an-interview-with-banksy-street-art-cult-hero-international-man-of-mystery/">a mark of failure for a graffiti artist</a>. A lofty sentiment, but whether he wants it or not, the popularity of Banksy’s work is phenomenal. The pared down stencil style coupled with often highly astute political commentary and visual puns is easy to read. It is enough to satisfy even those for whom art should consist of a “proper picture of something”. It also lends itself very well to reproduction and copying. I actually have a mug emblazoned with Banksy style rats sitting on my desk as I write. This is what happens when an iconoclast becomes an icon. What started out as a practice that deliberately subverted the concept of art as an exclusive, costly investment, has now become just as commodified as the latest piece by <a href="https://www.theartstory.org/artist-hirst-damien.htm">Damien Hirst</a>. <h2>Banksy’s bankability</h2> I’m personally on the fence about some of Banksy’s more recent work. I’m completely on board with the political nature of the imagery and most definitely share a lot of his ideological sentiments, but there is a degree to which he is becoming a parody of himself. For example, while it’s easy to appreciate the point he was making with the recently auctioned self-destructing drawing “<a href="https://theconversation.com/banksy-i-was-in-the-room-when-his-painting-shredded-and-enhanced-his-brand-104660">Love is in the Bin</a>”, no one could convince me that he was unaware of the effect that the action would have on his bankability. Given he knows the impact his work can have, was it selfish of Banksy to impose this latest piece on the unsuspecting garage owner? Or was it an act of extreme philanthropy, bestowing on Port Talbot a gift that can be used either to benefit the individual or the community? He must have known that Lewis would be plagued with attention, and the inevitability of this imposed cultural responsibility must surely have at least crossed Banksy’s mind. Public art comes in many diverse forms, from the monumental statues commemorating historical figures, to the temporary and often illegal murals created by contemporary graffiti artists. My own practice is informed by an ethos of inclusion that places the nearby community at the centre of decisions about how it is created, themed and managed. Because of that philosophical background, I do find Banksy’s imposition of his work without regard for its effect on the local community to be irritatingly entitled. However, the <a href="https://www.theartstory.org/artist-banksy-artworks.htm">issues he highlights</a> such as the <a href="https://theartstack.com/artist/banksy/i-remember-when-all-this-was-trees">capitalist obsession with growth</a> over sustainability, and <a href="https://www.independent.co.uk/voices/banksy-port-talbot-graffiti-wales-michael-sheen-steel-pollution-environment-a8692821.html">industrial air pollution</a> are relevant and important to a much wider community, so I appreciate that by using his fame to draw attention to them he is carrying out a form of community service. The Welsh government <a href="https://www.walesonline.co.uk/news/wales-news/banksy-collector-willing-pay-six-15656998">has since confirmed</a> it will be taking over security for the Port Talbot artwork, and is discussing the future of the piece. Whether by design or because he just isn’t interested in how the work is used, it’s part of Banksy’s artistic practice to leave the work to the mercy of others when it’s complete. However, it could be argued that he could have used <a href="https://www.artspace.com/magazine/art_101/close_look/how-does-banksy-make-money-or-a-lesson-in-art-market-economics-55352">some of his own money</a> to help protect the work, and mitigate against any grief <a href="https://www.bbc.co.uk/news/uk-wales-46810787">he’s caused the garage owner</a>. I’d personally like to see the work sold, and the proceeds used to address some of the social and political issues that Banksy highlights with his work. It worked for Dennis Stinchcombe who, when a mural entitled Mobile Lovers appeared on the doorway of his Bristol youth club in 2014, sold the work and used the funds <a href="https://www.bbc.co.uk/news/uk-wales-46810787">to save the struggling organisation</a>. Whatever happens now, one thing is certain: Banksy certainly knows how to get his work in the news. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/banksy-who-should-foot-the-bill-to-protect-his-work-in-public-spaces-109831" target="_blank" rel="noopener">The Conversation</a>.

Art

“You can’t park there”: Elderly driver mistakes brake pads for accelerator

An elderly woman who mistook her accelerator for her brake pads when entering a shopping centre car park saw her vehicle end up on top of another. Shocking images shared to social media show a Honda Civic sitting on top of an expensive Mercedes in Westfield Hurstville, Sydney. It is understood that the driver was a 73-year-old woman who confused her brake and accelerator pedals. She drove through the boom gates before her car somehow drove onto the Mercedes about 9.45am on October 13. A 50-year-old man was taken to hospital with minor injuries following the terrifying incident. CCTV is yet to be released to show exactly how the incident occurred, with many questioning how the car wound up on top of the other. “I honestly don’t understand the physics behind this,” someone commented. “Imagine coming back from your shopping to see a car parked on top of yours,” another wrote. “You can’t park there,” someone else joked. Images: Nine News

Travel Trouble

English cottage comes with free theme park tickets

A small cottage in the English countryside is up for sale, and it comes with an unusual bonus for its new owner. The two-bedroom home in Staffordshire has been <a href="https://www.rightmove.co.uk/properties/126610616#/?channel=RES_BUY" target="_blank" rel="noopener">listed</a> for £200,000 ($NZ 395,000), and if its new owner moves in they can access free tickets to a local theme park. According to the Alton Towers Resort website, residents located within a three-kilometre radius can apply for 20 entries to its theme park or water park. With the charming cottage only a four-minute drive from Alton Towers Resort, the new residents will simply need to prove they live there with a council tax bill. As well as free tickets, the home also boasts a private garden, exposed stone walls that feature throughout, and a cosy interior of wooden cabinetry, timber floors, terracotta tiles and lattice windows. Barn-style doors are also found throughout the two-storey house, with the kitchen, lounge, and outdoor porch on the ground floor and two bedrooms and a shared bathroom on the first floor. Images: Rightmove

Real Estate

"Put it up properly!" PM criticised for public flag blunder

Australian Prime Minister Anthony Albanese has come under fire after the Aboriginal flag was hung upside down on the first day of the Jobs and Skills Summit at Parliament House - made worse by the fact that no one in attendance seemed to notice the error either. The incorrectly-hung Indigenous flag was in the background displayed alongside the Australia and Torres Strait Islander flags as Mr Albanese addressed the 140 government and business leaders and was spotted in various selfies and photos taken on the day. When correctly flown, the black half of the flag, <a href="https://aiatsis.gov.au/explore/aboriginal-flag" target="_blank" rel="noopener">representing</a> First Nations Australians, is meant to be at the top, with the red half, signifying the earth, at the bottom. <blockquote class="twitter-tweet"> Loved joining this powerhouse of women speakers on the opening panel at the <a href="https://twitter.com/hashtag/jobssummit?src=hash&ref_src=twsrc%5Etfw">#jobssummit</a>. Equity for women can’t wait ⁦<a href="https://twitter.com/SenKatyG?ref_src=twsrc%5Etfw">@SenKatyG</a>⁩ ⁦<a href="https://twitter.com/sammostyn?ref_src=twsrc%5Etfw">@sammostyn</a>⁩ ⁦<a href="https://twitter.com/emmafulu?ref_src=twsrc%5Etfw">@emmafulu</a> ⁦<a href="https://twitter.com/June_Oscar?ref_src=twsrc%5Etfw">@June_Oscar</a>⁩⁦<a href="https://twitter.com/leonora_risse?ref_src=twsrc%5Etfw">@leonora_risse</a>⁩ ⁩ <a href="https://t.co/eVd6kDATfJ">pic.twitter.com/eVd6kDATfJ</a> — Michele O'Neil (@MicheleONeilAU) <a href="https://twitter.com/MicheleONeilAU/status/1565152042347180034?ref_src=twsrc%5Etfw">September 1, 2022</a></blockquote> It hung upside down until delegates left for the lunch break and was correctly displayed when they returned. Prominent Indigenous leaders called out the faux pas, including Coalition Senator Jacinta Price and Warren Mundine, a business leader and former Labor Party president. Senator Price, who has previously criticised Mr Albanese’s flying of the flag as empty symbolism, said it was ironic that the government went out of its way to show symbolic respect for Indigenous Australians, yet still made such an error. “With all the virtuous expression of respect for Aboriginal Australians... and all the carry on with strategically placing the flag prominently to express this deep virtue you’d think that this Albanese Government could actually hang it the right way up?” she said. “Especially at such a significant and groundbreaking event such as the job summit.” <img src="https://oversixtydev.blob.core.windows.net/media/2022/09/albo-flag1.jpg" alt="" width="1280" height="720" /> Various speakers were photographed in front of the incorrectly-hung Indigenous flag, which was corrected during the event’s lunch break. Images: @AlboMP (Twitter) Mr Mundine said he was shocked when the saw the flag on TV, describing the mistake as “ignorant” and “pathetic”. “How ignorant and pathetic is it that our national flag is treated this way… put it up properly!” he said. The Parliamentary Services Department, which was responsible for the error, later said the flag being upside down was the result of “an unfortunate human error”. “The incorrect mounting of the Aboriginal flag was due to an unfortunate human error. Once the error was identified, it was immediately corrected,” it said. While a flag flying upside down can signal that someone is in distress in the US and is sometimes used by protestors at rallies, the act is banned under all circumstances by the Australian flag protocols. Mr Albanese has been displaying the Aboriginal and Torres Strait Islander flags in parliament and at government events since becoming PM following the May election, with Indigenous MPs and leaders praising it as a long-overdue acknowledgement of First Nations culture and Australia’s history before British colonisation. Images: @AlboMP (Twitter)

News

Poxy McPoxface, TRUMP-22, Mpox: Public called on to rename monkeypox virus

The World Health Organisation has called on the expertise of the public to help them rename the monkeypox virus after claiming the name is "misleading". Names for viruses are usually chosen by a committee behind closed doors, but the WHO has decided to open up the process to allow submissions from all over the world. Names such as Poxy McPoxface, TRUMP-22 or Mpox have been put forward so far, prompting the WHO to say they will choosing a serious name. WHO spokesperson Fadela Chaib said, "I am sure we will not come up with a ridiculous name." Dozens of submissions have now been made from a range of contributors including academics, doctors, and a gay community activist. One more technical submission came from Harvard Medical School emergency physician Jeremy Faust, who said the virus should simply be called OPOXID-22. Another proposal, TRUMP-22, appeared to be refer to former US President Donald Trump who used the controversial term "Chinese virus" for the new coronavirus, although its author said it stood for "Toxic Rash of Unrecognized Mysterious Provenance of 2022". Pressure is growing for a new name for the disease, largely because critics say it is misleading, since the virus did not originate in monkeys. A group of leading scientists wrote a position paper in June calling for a name that was "neutral, non-discriminatory and non-stigmatizing" amid fears the name can be used in a racist way. "It's very important we find a new name for monkeypox because this is best practice not to create any offence to an ethical group, a region, a country, an animal etc," Miss Chaib said. "The WHO is very concerned by this issue and we want to find a name that is not stigmatising," she added without giving a timeline of when the new name may be decided. Monkeypox was first discovered in 1958 and named after the first animal to show symptoms. The WHO declared the current outbreak a public health emergency in July having reported more than 32,000 cases from over 80 countries. Image credits: Getty Images

Caring

Over 60

News

Shop

Catalogues

Travel

Health

Lifestyle

Finance

Entertainment

Property

Information

Keep up to date

Search

Woman fined after paid car park gets set up around her parked vehicle

King Charles returns to public duties for the first time since diagnosis

Celine Dion's first public appearance in years since cruel diagnosis

Body language expert analyses Hugh Jackman's last public outings with his wife

"Colossal prick" slammed over outrageous Bunnings parking

Disney star dies at just 29

How Jurassic Park changed film-making and our view of dinosaurs

“It’s the court of public opinion”: Sarah Ferguson condemns Phillip Schofield backlash

“I like looking in the mirror”: Justine Bateman on ageing in the public eye

Hilarious footage emerges of Sam Neill's James Bond screen test

How on-demand buses can transform travel and daily life for people with disabilities

Ticked off trekker exposes family’s selfish act

Harry and Meghan break their silence on "boring and baseless" South Park episode

"I'm lovin' it": McDonald's face public outcry over unfortunately placed ad

"You can’t park there, bro”: Perth valet smashes TWO lambos in costly mistake

Banksy: who should foot the bill to protect his work in public spaces?

“You can’t park there”: Elderly driver mistakes brake pads for accelerator

English cottage comes with free theme park tickets

"Put it up properly!" PM criticised for public flag blunder

Poxy McPoxface, TRUMP-22, Mpox: Public called on to rename monkeypox virus

News

Shop

Catalogues

Travel

Health

Lifestyle

Finance

Entertainment

Property

Information

Keep up to date

Search

Woman fined after paid car park gets set up around her parked vehicle

King Charles returns to public duties for the first time since diagnosis

Celine Dion's first public appearance in years since cruel diagnosis

Body language expert analyses Hugh Jackman's last public outings with his wife

"Colossal prick" slammed over outrageous Bunnings parking

Disney star dies at just 29

How Jurassic Park changed film-making and our view of dinosaurs

“It’s the court of public opinion”: Sarah Ferguson condemns Phillip Schofield backlash

“I like looking in the mirror”: Justine Bateman on ageing in the public eye

Hilarious footage emerges of Sam Neill's James Bond screen test

How on-demand buses can transform travel and daily life for people with disabilities

Ticked off trekker exposes family’s selfish act

Harry and Meghan break their silence on "boring and baseless" South Park episode

"I'm lovin' it": McDonald's face public outcry over unfortunately placed ad

"You can’t park there, bro”: Perth valet smashes TWO lambos in costly mistake

Banksy: who should foot the bill to protect his work in public spaces?

“You can’t park there”: Elderly driver mistakes brake pads for accelerator

English cottage comes with free theme park tickets

"Put it up properly!" PM criticised for public flag blunder

Poxy McPoxface, TRUMP-22, Mpox: Public called on to rename monkeypox virus

Join Over60